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Illuminating the Renaissance

The Triumph of Flemish Manuscript Painting in Europe

Author

Thomas Kren, and Scot McKendrick, with contributions by Maryan W Ainsworth, Mari-Tere Alvarez, Brigitte Dekeyzer, Richard Gay, Elizabeth Morrison, Catherine Reynolds

Publisher

Royal Academy of Arts, London, 2003
Illuminating the RenaissanceIlluminating the RenaissanceIlluminating the Renaissance

Printing Details

First edition. Large hardback in dustwrapper. 31 × 23.5cm, 575pp.

This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period—beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening—the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of colour, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Focusing on the notable artists of the period (Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others) the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style.

Condition

A good copy, the weight of the pages is causing them the sag a little in the binding but otherwise the pages are clean and the binding is secure. The wrapper is in good condition but creased a bit to the spine. A large and heavy book at nearly 4kg.

ISBN

9781903973257

Price

£40.00
 

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Illuminating the RenaissanceIlluminating the RenaissanceIlluminating the Renaissance

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