Original abstract expressionist painting
Range Bow 2 by David Holt, March 1978
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Printing Details
Painted in March 1978, this is an oil on board in a wooden frame (but not glazed). The frame measures 55.5 × 62cm and the painting is 54 × 61cm.
This is a work of abstract expressionism. It was one of a series of paintings inspired by the numbers on the rifle ranges at Hythe in Kent, in this case the number 2, the top of which appears to be forming a rainbow (or "range bow") the rest of the number being obscured by panelling and with red and black to the edges. The paining has a thin wooden custom made frame.
Signed and dated by David Holt lower right (March 1978)
David Holt (1928–2014). Born in Hythe, Kent. Painter and Lecturer in Art. After National Service, he trained at the Canterbury School of Art, the Hammersmith School of Art and the Royal Academy Schools where he was awarded a medal for drawing and the Knapping Prize. He joined a studio-workshop with Gerald Holtom (designer of the CND symbol) in 1958 where he designed and produced proscenium curtains for schools. In 1958 he was awarded a Harkness Fellowship and travelled across America, producing many drawings and prints of the Pueblo Indians and their life-dance in Santa Fe in New Mexico, where he also worked with artist Agnes Sims. He returned to England in 1960 and continued to paint and work on large textile appliques for schools, churches, and private houses including Spade House in Kent, the former home of H G Wells.
He was made a Fellow of the Royal Society of Arts in 1962, and in 1964 was commissioned to design and make a large textile applique 'Christ in Majesty' which still hangs in the chapel of Christ Church College in Canterbury.
He was Head of Art at Canterbury Christ Church University until his retirement in 1995. He exhibited widely in the UK and the States and worked with many art societies and summer schools across East Kent.
His work can be found in both private and public collections throughout the UK and America, including the Yale Centre for British Art. His painting "Coastal Watcher" was recently used for the dustwrapper on Modernism and Memory: Rhoda Pritzker and the Art of Collecting (Yale University Press, 2016).
Condition
This painting is in very good condition. There are a few minor abrasions to the paint but the overall impression is impressive. There is some age-related marking to the frame but this is also in good order.
I am happy to post overseas but this will be expensive due to size and weight. Please email me first.