An original watercolour of Dungeness (1967)
Welded Tower: Dungeness 'B' by David Holt
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Printing Details
Painted in January 1967, this is an ink and watercolour with pencil detail. Not framed, but in the artist's original mount. The mount measures 45.5 × 38cm, the image is 34 × 29cm.
This painting depicts the bleak but beautiful coastal landscape and industrial artefacts found at Dungeness in Kent. The detail to the welded tower has been added by scruffito. Other features include a line of pylons on the horizon and a partially submerged rifle range number as used on the Hythe Ranges by the Army.
Signed and dated by David Holt to the lower left, title by the artist to the reverse.
David Holt (1928–2014). Born in Hythe, Kent. Painter and Lecturer in Art. After National Service, he trained at the Canterbury School of Art, the Hammersmith School of Art and the Royal Academy Schools where he was awarded a medal for drawing and the Knapping Prize. He joined a studio-workshop with Gerald Holtom (designer of the CND symbol) in 1958 where he designed and produced proscenium curtains for schools. In 1958 he was awarded a Harkness Fellowship and travelled across America, producing many drawings and prints of the Pueblo Indians and their life-dance in Santa Fe in New Mexico, where he also worked with artist Agnes Sims. He returned to England in 1960 and continued to paint and work on large textile appliques for schools, churches, and private houses including Spade House in Kent, the former home of H G Wells.
He was made a Fellow of the Royal Society of Arts in 1962, and in 1964 was commissioned to design and make a large textile applique 'Christ in Majesty' which still hangs in the chapel of Christ Church College in Canterbury.
He was Head of Art at Canterbury Christ Church University until his retirement in 1995. He exhibited widely in the UK and the States and worked with many art societies and summer schools across East Kent.
His work can be found in both private and public collections throughout the UK and America, including the Yale Centre for British Art. His painting "Coastal Watcher" was recently used for the dustwrapper on Modernism and Memory: Rhoda Pritzker and the Art of Collecting (Yale University Press, 2016).
Condition
This work is in good condition but with some signs of age. The top edge of the mount is evenly tanned. The painting has some craquelure to the painted areas. However, if framed it would create am intriguing image of the at times desolate Dungeness landscape.
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