Vision and Art

The Biology of Seeing


Margaret Livingstone, with a foreword by David Hubel


Abrams, New York, 2002
Vision and ArtVision and ArtVision and Art

Printing Details

First edition, later printing. Paperback. 28 × 23cm, 208pp

We recognize the artistry of Mona Lisa's elusive smile, but is there an underlying science? In this groundbreaking study, Harvard neurobiologist Margaret Livingstone explains how vision works. She tells us how great painters fool the brain: why Mona Lisa's smile seems so mysterious, Monet's Poppy Field appears to sway in the breeze, Mondrian's Broadway Boogie Woogie blinks like the lights of Times Square, and Warhol's Electric Chair pulses with current.

Drawing on history and her own cutting-edge discoveries, Livingstone offers intriguing insights, from explanations of common optical illusions to speculations on the correlation of learning disabilities with artistic skill. Her lucid, accessible theories are illustrated throughout with fine art and clear diagrams.


The book is in very good condition, with some light wear to the covers' edges.





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Vision and ArtVision and ArtVision and Art

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